Session 2- Contents
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-COLIN RENFREW, Locus iste: Modes of Representation and the Vision of Thera
-KIKI BIRTACHA and MANOLIS ZACHARIOUDAKIS, Stereotypes in Theran Wall Paintings: Modules and Patterns in the Procedure of Painting
-ELEANOR GURALNICK, Proportions of Painted Figures from Thera
-M. SINCLAIR F. HOOD, Cretan Fresco Dates
-MANFRED BIETAK, The Mode of Representation in Egyptian Art in Comparison to Aegean Bronze Age Art
-REGINE SCHULZ, Remarks on the Composition of Hunting and Battle Scenes on the Chest of Tutankhamun
-M.C. SHAW, Sea Voyages: The Fleet Fresco from Thera, and the Punt Reliefs from Egypt
-DOMINIQUE COLLON, Syrian Glyptic and the Thera Wall Paintings
-MARIO TORELLI, Santorini, Etruria and Archaic Rome: A Comparison of Mentality and Expression
-SARAH P. M ORRIS, From Thera to Scheria: Aegean Art and Narrative
-STEFAN HILLER, Thera Ships, Egypt and Homer
-MARION TRUE, The Role of Formal Decorative Patterns in the Wall Paintings of Thera
-PHILIP P. B ETANCOURT, The Concept of Space in Theran Compositional Systemics